Glendale

Glendale

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Black Bag
Ends today
93 min. R
103 min. R
Ed Kemper
One Day Only!
92 min. NR
Eephus
Ends today
99 min. NR
124 min. R
105 min. NR
96 min. NR
84 min. NR

 

Our long-running Culture Vulture series continues every Saturday and Sunday morning and Monday evening at our Claremont, Glendale, Newhall, Encino, and Santa Monica theaters.April 5-7: Far Out: Life on and After the Commune ~ In 1968, a group of radical journalists leave the city and politics to live communally as organic farmers. The film examines their lives and return to the political world and how the commune became a community.April 12-14: In Search of Beethoven ~ The makers of In Search of Mozart return with a new feature-length bio-doc about Beethoven. Director Phil Grabsky brings together the world’s leading performers and experts on

Tomorrow we'll be opening Janis Ian: Breaking Silence, the new documentary about the singer-songwriter. Filmmaker Varda Bar-Kar will participate in Q&A's after the 7:00 o'clock shows on Thursday, April 3 at the Laemmle NoHo and April 4 and 5 at the Monica Film Center, as well as after the 1:00 o'clock show at the Laemmle Glendale on April 5. Ms. Ian will join her for the NoHo and Santa Monica screenings. The filmmaker is also featured on the latest episode of Raphael Sbarge and Greg Laemmle's video podcast Inside the Arthouse.Director's Statement: "The pandemic began when I finished my music documentary Fandango at the Wall (HBO/MAX), about a

Starring Oscar nominee Steve Coogan, The Penguin Lessons is a poignant dramedy inspired by a true story, set against the backdrop of Argentina’s political turmoil in 1976. Tom (Coogan), a disillusioned Englishman, arrives in Buenos Aires to teach at a prestigious boarding school, expecting an easy experience. But as the city spirals into crisis, and his students remain unteachable, Tom’s life takes an unexpected turn when he rescues an oil-slicked penguin from a nearby beach. The bird’s surprising loyalty and unique presence forces Tom to confront his own repressed past and awaken to the responsibilities of both personal and political change

From Bilge Eberi's recent New York Magazine piece about the new restoration of Jean-Luc Godard's A Woman is A Woman:“I don’t know whether it’s a comedy or a tragedy,” Jean-Luc Godard said about his film A Woman Is a Woman in 1961, not long before it opened. “At any rate, it’s a masterpiece.” The director, who at the time had released just one feature, was being characteristically cheeky. Later in that same interview, he admitted that the movie was an uneasy mix of influences. Shot in CinemaScope and color, it was meant to be a spectacle, “a set designer’s film,” that he had deliberately improvised and rushed. Though A Woman Is a Woman (now on the

It says a lot that the grandest French movie theaters are designed by famous architects. (Renzo Piano designed the Pathé Palace in Paris.) Over the weekend, the New York Times published a fascinating glimpse into cinema's profound place in French culture and how that strength has led to a renaissance of moviegoing. "France was one of the few countries that saw an increase in movie theater attendance last year over 2023, with more than 181 million attendees, an uptick of nearly a million. Brazil, Britain and Turkey also saw an increase."One reason is the French version of American exceptionalism: The French people believe their culture is superb