On December 20th we are opening Pedro Almodóvar's first movie in English, The Room Next Door, at the Royal. We'll bring it to Claremont, Glendale, Newhall, North Hollywood, and Encino in January. Julianne Moore and Tilda Swinton star as two friends who reconnect after decades apart and embark on an unusual new phase of their friendship. Writing in Time Magazine, Stephanie Zacharek describes how "the colors of The Room Next Door are its secret message, a language of pleasure and beauty that reminds us how great it is to be alive. If it's possible to make a joyful movie about death, Almodóvar has just done it." "The Room Next Door, as driven by the
The newest episode of Inside the Arthouse just dropped and it's a fascinating one. Hosts Greg Laemmle and Raphael Sbarge discuss the centenary of arthouse film with professor, historian, author and Academy Film Scholar Ross Melnick. It's a lively conversation about the amazing history of arthouse film -- Where it started, how far it's come, and where is it today. Laemmle, third generation arthouse theater owner, adds his perspective, as the trio explores the last century considers the future of arthouse.Here's a taste from the beginning of their conversation:ROSS MELNICK: The history of arthouse theaters is about a hundred years old. It really
Tomorrow we open Blitz, the latest film English filmmaker Steve McQueen (Shame, 12 Years a Slave, Occupied City), at the Claremont, Glendale, Monica Film Center, Newhall, and Town Center. Starring Saoirse Ronan, it follows the stories of a group of Londoners during the events of the British capital bombing in World War II. Top film critics have been singing its praises:"McQueen—a director who understands we can only look forward by looking back—gives us a new lens through which to examine WWII in this masterful film." ~ Emily Zemler, Observer"I’ve been to whole film festivals with less cinema than Steve McQueen packs into just two hours." ~
When he accepted the Palme d'Or for his colorful, authentic, surprising, exciting, thrilling comedy Anora earlier this year at Cannes, writer-director Sean Baker (Tangerine, The Florida Project, Red Rocket) spoke eloquently about seeing movies in theaters. You can watch the whole thing online, but here's the key excerpt:"This literally has been my singular goal as a filmmaker for the past 30 years. So I’m not really sure what I’m gonna do with the rest of my life, but I do know that I will continue to fight for cinema because right now, as filmmakers, we have to fight to keep cinema alive. This means making feature films intended for theatrical
THE EYE OF THE SALAMANDEROpening at the Laemmle Glendale on Friday, November 1Q&A with Writer/Director Pavel Nikolajev and Producer Olga Polevaya on Saturday, November 2 following primetime showingAn Aztec pyramid figurine found in the ancient city of Teotihuacan in the Valley of Mexico stores a dark secret, which is discovered by professor Hiscock, a non-traditional hero, who will learn quantum teleportation the hard way, facing primal folklore fears and his alter ego in the gruesome catacombs of uncharted realm.DIRECTOR’S STATEMENT"I had a vision to create a film about instant teleportation via an ancient artifact for quite some time and was
Union Q&A schedule:Royal 10/23: co-director Brett Story, producer Samantha Curley, and subject Chris Smalls;Monica Film Center 10/25, 7:20 PM show: co-directors Steve Maing and Brett Story, producer Samantha Curley, and subject Chris Smalls with Adam Conover moderating;Monica Film Center 10/26, 4:20 PM show: co-director Steve Maing, producer Samantha Curley, subject Chris Smalls, and UTLA president Cecily Myart-Cruz;Glendale 10/26, 7:20 PM show: co-director Steve Maing, producer Samantha Curley, and subject Chris Smalls;Glendale 10/27 noon show: co-director Steve Maing, producer Samantha Curley, and subject Chris Smalls.
The newest episode of Inside the Arthouse features the fantastic documentary Union. Having received a Special Jury award at Sundance, and played thirty of the most prestigious documentary film festivals around the world, it opens October 25 at Laemmle Monica Film Center and Glendale. (We'll have multiple in-person Q&A's with the filmmakers and the main subject, Chris Smalls; details here.)Through intimate cinema vérité, Union chronicles the extraordinary efforts of a group of warehouse workers as they launch a grassroots campaign to unionize an Amazon fulfillment center on Staten Island.The filmmakers document the struggle from day one against one
NURSE UNSEEN Q&A scheduleFriday 10/111:30 PMQ&A with director/producer/lead editor Michele Josue and producer Carlo Velayo7:10 PMPresented by SoCal Filipinos & FilAm CreativeQ&A with director/producer/lead editor Michele Josue and producer Carlo Velayo, and cast members: Jollene Levid, Nora Levid, Gertrude Tan, Joyette Jagolino, Shantell Pambuan, Tiffany Olega, Allison MayolSaturday 10/121:30 PMPresented by The Council of Young Filipinx Americans in Medicine (CYFAM)Q&A with director/producer/lead editor Michele Josue, producer Carlo Velayo, and Alex Argame, CYFAM Community Engagment Co-Chair, RN, Medical Student.Moderated by CYFAM's Antonio Moya7
Stolen Time Q&A schedule:(1) Thursday 10/17, Royal, 7:20pm Moderator: Thyonne Gordon (AARP California) Panelists: Fernando Torres-Gil (Director, UCLA Center for Policy Research on Aging), Dr. K. Madara Marasinghe (Oxford Institute of Population Aging) + film participant Melissa Miller(2) Friday 10/18, Glendale, 7:30pm Moderator: Laura Nix Panelists: Melissa & filmmaker Helene Klodawsky(3) Saturday 10/19, Glendale, 7:30pm Moderator: Lydia Storie (Caring Across Generations) Panelists: Astrid Zuniga from (United Domestic Workers), Melissa & Helene(4) Sunday 10/20, Glendale, 12:45pm Moderator: Astrid Zuniga (United Domestic Workers) Panelists: Rachel
Rule of Two Walls filmmaker David Gutnik will participate in Q&A's after the October 22 and 25-27 screenings at the Laemmle Royal and the October 23 screening at the Laemmle Glendale. The moderators:Tuesday, October 22 ~ Sharon StoneWednesday, October 23 ~ Marina MazepaFriday, October 25 ~ Yan GordienkoSaturday, October 26 ~ Vlad KlimchukSunday, October 27 ~ Amman Abbasidiv>
Ruth Reichl—trailblazing New York Times food critic, groundbreaking Gourmet Magazine editor, best-selling memoirist, and, for decades, one of the most influential figures shaping American food culture—grows concerned about the fate of small farmers, ranchers, and chefs as they wrestle with both immediate and systemic challenges as the pandemic takes hold.In Food and Country, Reichl reaches across political and social divides to discover innovators who are risking it all to survive on the front lines. As one person leads her to the next, she follows the unfolding stories of ranchers in Kansas and Georgia; farmers in Nebraska, Ohio, and the Bronx; a
Opening this Friday at the Laemmle Royal and Glendale, Paradise is Burning is an emotional drama that navigates the complexities of society and family in working-class Swedish suburbia. Three sisters – sixteen-year-old Laura (Bianca Delbravo), twelve-year-old Mira (Dilvin Asaad), and seven-year-old Steffi (Safira Mossberg) - are left to their own devices by their absent mother. As summer approaches, the trio revels in the excitement of freedom, letting their days unfold without the constraints of adult supervision. However, when Laura receives a call that threatens to place them in foster care, she frantically searches for a substitute mother to
The new comedy Between the Temples, starring Jason Schwartzman as a troubled cantor who finds his world turned upside down when his grade school music teacher (a never-better Carol Kane) re-enters his life as his adult Bat Mitzvah student, is living up to the hype and bringing audiences into theaters. Peruse this sampling of the catalyst for the film's success, critics' reviews:"A spiky, hilarious, and thoroughly unorthodox screwball comedy about a grief-stricken cantor who loses his voice, only to find that he’s surrounded by a chorus of well-intentioned people who are happy to speak for him." ~ David Ehrlich, indieWire"We get the sense that
Introducing the new video podcast Inside the Arthouse. Hosted by Greg Laemmle, President of Laemmle Theatres, and actor and Emmy award-winning director Raphael Sbarge, Inside the Arthouse is an insider’s perspective on filmmakers and the people responsible for the movies showing on arthouse screens across the U.S.Episode 101: Merchant Ivory: A Conversation with Stephen Soucy is now live everywhere you get your podcasts.Laemmle Theatres opens Merchant Ivory this Friday at the Royal/West L.A. and Town Center/Encino. In his Hollywood Reporter review, David Rooney wrote of the film, "anyone with a fondness for...what might be described as a gentlemen
Greg Laemmle, President of Laemmle Theaters, along with actor and Emmy Award-winning director Raphael Sbarge, are launching a new Video Podcast called INSIDE THE ARTHOUSE. The show is dedicated to highlighting new releases, repertory classics, filmmakers, distributors, and the key personalities who bring movies to the big screen. INSIDE THE ARTHOUSE will be filmed and recorded at the Laemmle Royal Theatre, the 100-year-old theater that has been operated by three generations of Laemmles for the past half century. Laemmle says, “My family has been dedicated to providing a home for independent, foreign and documentary film for almost a century, and
Wasn't it fabulous getting to see Akira Kurosawa's SEVEN SAMURAI on the big screen? Well, there's more where that came from. Get fired up for Francis Ford Coppola's THE CONVERSATION, Jean-Pierre Melville's ARMY OF SHADOWS, Wim Wenders's PARIS, TEXAS, and Julian Schnabel's BASQUIAT in the coming weeks, plus our one-night screening of LEGENDS OF THE FALL (with director Ed Zwick in person for a Q&A). We're planning even more for the fall. Add to these all the award-season films coming to Laemmle screens, that is a lot of rewarding moviegoing!*THE CONVERSATION follows lonely wiretapping expert and devout Catholic Harry Caul (Gene Hackman), who is
Laemmle Theatres and the Anniversary Classic Series present this month’s screening in our popular Anniversary Classics Abroad program: Michelangelo Antonioni’s vibrant masterpiece RED DESERT, which won the Golden Lion at the Venice Film Festival in 1964 and collected rave reviews around the world on its release over the next several months. We will show the film at five of our theaters at 7 PM on Wednesday, July 31.Antonioni had earned critical acclaim for the three movies in his “alienation trilogy”—'L’Avventura,' 'La Notte,' and 'Eclipse' — made during the early 1960s. RED DESERT explored some of the same themes but introduced a new element to
Laemmle Theatres President Greg Laemmle and his wife Tish Laemmle are being honored by the good folks at Glendale Arts "in recognition of their unparalleled legacy of dedication to independent filmmakers and the art of storytelling on the screen." Glendale Arts is an award-winning 501(c)3 non-profit organization that generates opportunities throughout greater Los Angeles to showcase, promote, encourage, and engage with the arts. From their announcement:Glendale Arts proudly announces the organization’s highly-anticipated Summer Soiree “Under A Thousand Stars” to be held on Saturday, July 27, 2024 from 7:00-10:00 P.M. at ace/121 Gallery. Tickets
From Alissa Wilkinson's New York Times review of the superb new documentary we are opening next week, HOW TO COME ALIVE with Norman Mailer:Given the hagiographic bias of most celebrity documentaries, HOW TO COME ALIVE with Norman Mailer sails into choppy waters. The director Jeff Zimbalist had to figure out a way to sum up one of the 20th century’s most admired, and most notorious, cultural figures. Mailer’s legacy as a novelist, speaker, filmmaker and pop culture icon — the movie reminded me how often he’s mentioned in “Gilmore Girls” — is full of bad behavior and also brilliant work, and making a film about such a person seems nearly impossible
From film critic Tim Grierson's recent L.A. Times profile of Janet Planet star Julianne Nicholson:*"When she was 18, Julianne Nicholson came to New York City to model but quickly grew tired of that — she knew she wanted to act. “I was waitressing and just living my best life,” she says over Zoom, smiling, from A24’s Manhattan offices. “I was basically being a young person in New York without a care in the world. It was wildly different from Janet Planet." She’s referring to the wonderful new film set during summer 1991 in which she stars — a film that, like Nicholson, doesn’t put on airs but is capable of small miracles. Since its premiere at