Glendale

Glendale

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139 min. R
Blitz
Ends Thursday
120 min. PG-13
Breakup Season
Ends Thursday
102 min. NR
Conclave
Ends Thursday
120 min. PG
Daruma
Ends Thursday
104 min. NR
The Piano Lesson
Ends Thursday
126 min. PG-13
90 min. R
Wicked
One Day Only!
160 min. PG

 

On December 20th we are opening Pedro Almodóvar's first movie in English, The Room Next Door, at the Royal. We'll bring it to Claremont, Glendale, Newhall, North Hollywood, and Encino in January. Julianne Moore and Tilda Swinton star as two friends who reconnect after decades apart and embark on an unusual new phase of their friendship. Writing in Time Magazine, Stephanie Zacharek describes how "the colors of The Room Next Door are its secret message, a language of pleasure and beauty that reminds us how great it is to be alive. If it's possible to make a joyful movie about death, Almodóvar has just done it." "The Room Next Door, as driven by the

The newest episode of Inside the Arthouse just dropped and it's a fascinating one. Hosts Greg Laemmle and Raphael Sbarge discuss the centenary of arthouse film with professor, historian, author and Academy Film Scholar Ross Melnick. It's a lively conversation about the amazing history of arthouse film -- Where it started, how far it's come, and where is it today. Laemmle, third generation arthouse theater owner, adds his perspective, as the trio explores the last century considers the future of arthouse.Here's a taste from the beginning of their conversation:ROSS MELNICK: The history of arthouse theaters is about a hundred years old. It really

Tomorrow we open Blitz, the latest film English filmmaker Steve McQueen (Shame, 12 Years a Slave, Occupied City), at the Claremont, Glendale, Monica Film Center, Newhall, and Town Center. Starring Saoirse Ronan, it follows the stories of a group of Londoners during the events of the British capital bombing in World War II. Top film critics have been singing its praises:"McQueen—a director who understands we can only look forward by looking back—gives us a new lens through which to examine WWII in this masterful film." ~ Emily Zemler, Observer"I’ve been to whole film festivals with less cinema than Steve McQueen packs into just two hours." ~

When he accepted the Palme d'Or for his colorful, authentic, surprising, exciting, thrilling comedy Anora earlier this year at Cannes, writer-director Sean Baker (Tangerine, The Florida Project, Red Rocket) spoke eloquently about seeing movies in theaters. You can watch the whole thing online, but here's the key excerpt:"This literally has been my singular goal as a filmmaker for the past 30 years. So I’m not really sure what I’m gonna do with the rest of my life, but I do know that I will continue to fight for cinema because right now, as filmmakers, we have to fight to keep cinema alive. This means making feature films intended for theatrical

THE EYE OF THE SALAMANDEROpening at the Laemmle Glendale on Friday, November 1Q&A with Writer/Director Pavel Nikolajev and Producer Olga Polevaya on Saturday, November 2 following primetime showingAn Aztec pyramid figurine found in the ancient city of Teotihuacan in the Valley of Mexico stores a dark secret, which is discovered by professor Hiscock, a non-traditional hero, who will learn quantum teleportation the hard way, facing primal folklore fears and his alter ego in the gruesome catacombs of uncharted realm.DIRECTOR’S STATEMENT"I had a vision to create a film about instant teleportation via an ancient artifact for quite some time and was