1982

Nominee
FIPRESCI Prize ~ Best Foreign Language Film
Palm Springs International Film Festival
Winner
NETPAC Award
Toronto International Film Festival
Succeeds in accessing emotional truths that leave a lingering bittersweet melancholy.

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1982

1982 is a life-affirming coming-of-age tale set at an idyllic school in Lebanon’s mountains on the eve of a looming invasion. It unfolds over a single day and follows an 11-year-old boy’s relentless quest to profess his love to a girl in his class. As the invasion encroaches on Beirut, it upends the day, threatening the entire country and its cohesion. Within the microcosm of the school, the film draws a harrowing portrait of a society torn between its desire for love and peace and the ideological schisms unraveling its seams.

In his debut feature, director Oualid Mouaness delivers an ode to innocence in which he revisits one of the most cataclysmic moments in Lebanon's history through the lens of a child and his vibrant imagination. The film demonstrates the complexities of love and war, and the resilience of the human spirit.

The film won the Cannes Film Festival’s youth sidebar CANNES CINÉPHILES prize PRIX CANNES ECRANS JUNIORS 2021, the Toronto International Film Festival’s NETPAC AWARD, a FIPRESCI International Critics Prize at El-Gouna International Film Festival, and the UNICEF 2021 prize among numerous others. It was also Lebanon’s official submission to the 92nd Academy Awards and holds the Murex D’Or, Lebanon’s Best Feature Film honor of the last two years.
Not Rated
Genre
Drama, Romance
Runtime
100
Language
Arabic, English
Director
Oualid Mouaness
Writer(s)
Oualid Mouaness
Cast
Nadine Labaki, Mohamad Dalli, Rodrigue Sleiman, Ghassan Maalouf, Gia Madi, Aliya Khalidi
Awards:
Nominee, FIPRESCI Prize ~ Best Foreign Language Film, Palm Springs International Film Festival
Winner, NETPAC Award, Toronto International Film Festival
FEATURED REVIEW
Ben Kenigsberg, New York Times

Working with a shrewdly limited setting, Mouaness skillfully gives the film a near-real-time feel, conveying a sense that the war is approaching through small-scale details like radio broadcasts, Wissam’s observation that pigeons have flown unusually close to the school and the volume and frequency ...

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