Art for Everybody director Miranda Yousef; producer Tim Rummel; artist Jeffrey Vallance; and Susan Orlean, writer and Art for Everybody interviewee, will participate in a Q&A after the April 17 screening at the Laemmle NoHo. Diane Becker will moderate.
Janis Ian: Breaking Silence filmmaker Varda Bar-Kar will participate in Q&A's after the 7:00 o'clock shows on Thursday, April 3 at the Laemmle NoHo and April 4 and 5 at the Monica Film Center, and after the 1:00 o'clock show at the Laemmle Glendale on April 5. Janis Ian will join her for the NoHo and Santa Monica screenings. Editor Ryan Larkin will join her for the Glendale Q&A.
Thank You Very Much filmmaker Alex Braverman will participate in Q&A's after the April 1 screening at the Royal (moderated by screenwriter Larry Karaszewski) and the April 3 screening at the NoHo (moderated by writer-comedian Tim Heidecker).
Tomorrow we'll be opening Janis Ian: Breaking Silence, the new documentary about the singer-songwriter. Filmmaker Varda Bar-Kar will participate in Q&A's after the 7:00 o'clock shows on Thursday, April 3 at the Laemmle NoHo and April 4 and 5 at the Monica Film Center, as well as after the 1:00 o'clock show at the Laemmle Glendale on April 5. Ms. Ian will join her for the NoHo and Santa Monica screenings. The filmmaker is also featured on the latest episode of Raphael Sbarge and Greg Laemmle's video podcast Inside the Arthouse.Director's Statement: "The pandemic began when I finished my music documentary Fandango at the Wall (HBO/MAX), about a
Starring Oscar nominee Steve Coogan, The Penguin Lessons is a poignant dramedy inspired by a true story, set against the backdrop of Argentina’s political turmoil in 1976. Tom (Coogan), a disillusioned Englishman, arrives in Buenos Aires to teach at a prestigious boarding school, expecting an easy experience. But as the city spirals into crisis, and his students remain unteachable, Tom’s life takes an unexpected turn when he rescues an oil-slicked penguin from a nearby beach. The bird’s surprising loyalty and unique presence forces Tom to confront his own repressed past and awaken to the responsibilities of both personal and political change
The 2025 Oscars are in the history books. It was a good night, with a funny, skilled host in Conan O'Brien and a fairly equitable distribution of statuettes for some terrific movies. It was also a good night for theatrical exhibition, better known as good, old-fashioned moviegoing. As he did during his speech accepting the Palme d'Or last year in Cannes, Anora filmmaker Sean Baker gave a passionate, trenchant speech in favor of seeing movies as filmmakers have always intended them to be seen, in theaters. After accepting the Oscar for Best Director from filmmaker (and movie theater owner) Quentin Tarantino, Baker said the following to almost 20
If you still haven't seen some of the films honored at the Academy Awards on Sunday, you can still see all of the following this week: Anora (winner for Best Picture, Director, Original Screenplay, Editing, and Actress), The Brutalist (Best Actor, Score, and Cinematography), Flow (Best Animated Feature), I'm Still Here (Best International Film), and No Other Land (Best Feature Documentary). All are fantastic and, as one social media user posted after listening to Sean Baker's speech extolling the virtues of seeing movies in movie theaters, "movies just hit different at the cinema."And if you've already seen these films, check out The Fishing Place