Foxcatcher

Winner
Best Director
Cannes Film Festival
Nominee
Palme d’Or
Cannes Film Festival
Nominee
Best Actor in a Leading Role
Academy Awards
Holds up a dark mirror to the American dream and does not like what it sees.

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Foxcatcher

FOXCATCHER is a psychological drama directed by Academy Award nominee Bennett Miller (MONEYBALL) and starring Golden Globe winner Steve Carell, Channing Tatum, Academy Award nominee Mark Ruffalo, Academy Award winner Vanessa Redgrave and Sienna Miller. The film was written by E. Max Frye and Academy Award nominee Dan Futterman. FOXCATCHER tells the story of Olympic Gold Medal-winning wrestler Mark Schultz (Tatum), who sees a way out from the shadow of his more celebrated wrestling brother Dave (Ruffalo) and a life of poverty when he is summoned by eccentric multi-millionaire John du Pont (Carell) to move onto his estate and train for the 1988 Seoul Olympics. Desperate to gain the respect of his disapproving mother, du Pont begins "coaching" a world-class athletic team and, in the process, lures Mark into dangerous habits, breaks his confidence and drives him into a self-destructive spiral. Based on actual events, FOXCATCHER is a gripping and profoundly American story of fragile men who pinned their hopes for love and redemption on a desperate obsession for greatness that was to end in tragedy.

Nominated for five Oscars, including Best Actor, Supporting Actor, Directing and Original Screenplay.
R
Genre
Bio-pic, Drama, Sport
Runtime
130
Language
English
Director
Bennett Miller
Cast
Channing Tatum, Mark Ruffalo, Sienna Miller, Vanessa Redgrave, Anthony Michael Hall
Awards:
Winner, Best Director, Cannes Film Festival
Nominee, Palme d’Or, Cannes Film Festival
Nominee, Best Actor in a Leading Role, Academy Awards
Nominee, Best Actor in a Supporting Role, Academy Awards
Nominee, Best Director, Academy Awards
Nominee, Best Writing (Original Screenplay), Academy Awards
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FEATURED REVIEW
Ty Burr, Boston Globe

The weight of history — personal, tribal, national — lays heavy in “Foxcatcher.” The movie’s tone is hushed, restrained; emotional damage is crammed way back where no one can see it yet defines everything through a murky prism. The sky is wintry, the interiors shadowed, and far back in those shadows ...

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